Tonight at 8 on KPFK:
BILL MOHR, Part II. I’m back tonight through the magic of radio
with the second half of my conversation with Bill Mohr, author of Hold-Outs:
The Los Angeles
Poetry Renaissance, 1945-1992. It’s an essential story of our cultural
history, with surprising and provocative and, yes, poetic insights into a
period often overlooked, underestimated, misunderstood, with urgent themes
about place, politics and the people who contributed to what
poet-printer-editor Mohr argues has been an essential and influential
epoch. In tonight’s episode, Bill Mohr talks
to me about, among other moments in the story, the creation and enduring
influence of Beyond Baroque Literary Arts Foundation, an institution which
shaped much of the scene along with other important community cultural arts
organizations, as well as the emergence of some important players --- writers
who came out of this community. Before
researching and publishing Hold-Outs,
Bill Mohr developed a CV as long as your arm:
as publisher, editor, workshop leader, booster of other poets, and
published writer himself. Which is to
say that he himself figures both in the living and in the telling of the story
of the Los Angeles Poetry Renaissance 1948-1992. If you missed the first part of his reading
and our conversation, please have a listen at the station archives. Bill Mohr is an associate professor of
English at Cal State Long Beach. His own
writing has appeared widely, including in Antioch
Review, Chicago Review, ZYZZYVA and is collected in three
volumes: Hidden Proofs, Vehemence
and Bittersweet. He was the editor at Momentum Press for
fourteen years, and published two groundbreaking anthologies of LA poets: The
Streets Inside (1978) and Poetry
Loves Poetry (1985). Thanks for
listening. This show available as a free
download from the KPFK station archives under “Shows,” “Bibliocracy.”
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